Minute 82: “They’re in the walls. They’re in the walls!”

Transcript

Transcribed automatically from the audio, and imperfect for it — names and punchlines suffer worst. Useful for finding a moment, not for quoting one.

0:00Welcome back to the Matrix Minute, the movie podcast where we discuss the first film one minute at a time because we love this movie. I am Phil. How are you guys doing tonight? Woohoo, Christmas is over. Yeah, not going to be the desolate zone. I hate the desolate zone in January. What is the desolate zone? It's not January. Yeah, it is, man. No, it's still December, isn't it? My birthday is in January. That's true, Tim's birthday is in January. It's not desolate. It's awesome. That's the little hill? Everything after is desolate. Sure, whatever. I don't know what you're talking about, but all right. No, I'm saying that everyone's going to be listening to this after the Christmas holidays. Do you really think someone's going to listen to the Matrix Minute? Yes, because they're bored.

0:41They're bored or they're traveling to their loved ones. True, true. Didn't think about that. And they want to listen to their other loved ones, which is me. Or they really like the show, which would be surprising. Which we would be like, that is so great and we'd be grateful for that. But regardless of whether or not it's December or January, welcome. Welcome. Maybe they're in the future. Welcome, listener of the future. Listener of the future. Perhaps you, listener, are listening from 2019. Yeah, where we finished it already. Send us a message. Tell us how it is in 2019. Yeah, tell us what it's like. What it's like. And we will reply to you. And tell us how great our Matrix Revolutions

1:23minute by minute is. Phil has to go there every time. And tell us what you think about the new people who are doing the Matrix Revolutions. And you can then compare it to ours and say, which one's better? Let us know. Yeah. Yeah. By the way, I'm sitting in the room where we recorded the podcast last time when you guys were over. And there's just me and two chairs. And it's so sad. It's so sad. I'm facing two chairs. They're still in the same position? You know, when they have a Vietnam War Memorial, there's like the chair to the unknown soldier. So sad. It's empty. My fallen comrades. You should put them in storage to make yourself less sad.

2:05I feel like I'm talking to ghosts. Because I can hear you, but I can't see you. It's great. It's the haunted mansion. Welcome to Minute 82. This is what happens. Morpheus dies. Morpheus is dead. How did he die? Off screen. The pants are dead. The SWAT team member heard the cough and slowly approaches the wall. Cypher can't take it and lets out another one. They've been found out. A fart? I knew that was going to happen. They've been found out. They're in the walls. They shoot. An agent overtakes the SWAT guy and breaks through and strangles Neo. Morpheus lets out a yell. Oh! And then tackles Agent Smith, breaking the wall. Once he has him pinned, he yells for the rest to escape.

2:47And they begin to slide. It's funny. You forget them yelling out these names. What are they, Agent Greece? Morpheus. Trinity. So much happens in this minute. Patroclus. I'm not joking. A lot happens here. Patronus. Xerxes. Guys, I can quote a Matrix quote. Let's do. Let's get to it. All right. Let's do it. Go on. Tell us, Master. You explained the sequence in your minute recap. Yes, I did. Yeah. There's a lot of action that happens in this scene. There is. Yeah. A lot of gunshots. I was surprised how much it happens. You know, breaking through walls. Oh, yeah. We get a little pre-kung-fu.

3:28Not getting there yet. But definitely physical contact. Yes, physical contact is present. It's in this minute. Physical contact is included. So they're in the walls. And Cypher now does the second cough, which is the traitorous cough. Yeah. Is it the traitorous cough? I mean. Yeah. The cough of the traitor? Well, I don't know because there's a soldier man and he starts blasting with his gun. No, not yet. We're just talking about that cool shot where the, you know, soldier is there in the silhouette. I know. I'm just saying that. Anyway, go on. You know, would Cypher risk getting shot? Oh, that is a good point. You know, he doesn't know it's the agents there.

4:08I mean, he knows if he finds out later, but maybe it is just an involuntary cough. He's a weak, weak-minded, weak. Yeah, I don't know. Or, or, just, you know, for the sake of argument, he could have been as low as possible in the wall to be safe. Safe. But then again, Cypher's not planning this out. Yeah, there's no guarantees here. But he's not planning this out. I mean, who in the world would plan it out? Yeah, you're right. Oh, the dirt's going to hit my face at this angle at this time. No. So yeah, probably, most likely, he just coughed because he couldn't help it. I mean, who can't? Yeah. You know, dust in your face. Got to cough. But it's also interesting that when we're watching this minute, when we were talking with the Oracle,

4:51there's just like a few things that are being said, and the thing is going very slowly. But then once action starts happening, you can notice how fast this minute is. There's pact with all kinds of things. You mean how much stuff is in a minute. Yeah. That's what I'm saying. Yeah. Not how fast it goes, but in essence, how slow it goes. There's so much to see. Right. And this SWAT guy. He's packing. He has one line. Well, he has a couple lines. He has one line. Yeah, he has just one line. And it's, they're in the walls. Yeah, yeah. Let's talk about that SWAT guy. It sounds like he's about to cry. Yes. He sounds so sad. But he also smiles at the end. He's like, oh, they're in the wall. Oh, really? He thinks he's going to get a raise? Look at his face.

5:32He, he, Asteri says they're in the walls. He gives a little smile. Like, I'm going to murder them all. No, no. He's more like, I'm the guy who found them. My other buddies look for them, but I found them. That's interesting because subconsciously though, when I watched this as a kid, when he goes, they're in the walls, and I'm starting to cry, it made me, like, it sounds like it. It feels like it. And it made me more disturbed. Why? And it's stuff like, you don't ever get that? Like where, you know, like Werner Herzog, he made the remake for Nosferatu, 1978. And the whole opening is just them filming footage of corpses in those catacombs where

6:13you actually see all these corpses just standing there. And you can actually look at them. The corpses are mummified. Yeah. They're standing like in a big hole mausoleum underground. And he's just, they're just filming that for a minute and a half while there's music. And it has nothing to do with the movie. Like it's in Mexico. It's not, it has nothing to do with vampires. Just a little bit. It's spooky. It's just the theme of death. And he's like, when he was talking about in the commentary, he was saying that they just, I wanted to put this in there to, to just give people a sense of, of, of death. And, you know, like just, it's just thematic.

6:53It's not, it has nothing to do with thematic. It has nothing to do with like, like what makes sense or not. And, uh, that's sort of the same kind of, I sound like I'm dying. Sorry. I still have a cold. Um, and that's why I feel like the same thing about stuff like that is where you put little things that don't make sense, but they're giving you a mixed emotional reaction. I don't know. I don't think. Uneasiness. And I felt the same way, but I don't think so. I think, I think he's just going, they're in the walls. And he's just saying that weird. Weird acting. It's just weird. Yeah. Australian guy trying to do an American accent. Oh yeah. Maybe they're in the walls. Could be. We have 10 takes of this guy. It's like, take eight is the only one that sounds not Australian.

7:35It was exciting. Can we get any Australian guests? Speaking girl. I don't know. Probably. I'm thinking. Sure. Lincoln. He's an Australian. And then after, um, he finds out there's the walls, he's like, now's my time to shine. Well, there's the walls. He's just shooting them with his stapler. Sure. And Keanu's getting, we thought he was going to get hit. Well, this is actually, um, okay. I have a question. This is totally unrelated to the matrix, but it is something that I always wonder about in action movies is, you know, of course heroes don't get shot in movies. They don't get shot. They just don't. They don't get shot. Even if they do, it's just a flesh wound. I'm saying that most of the time.

8:17Last action hero parodies that so well. I'm trying to remember when. Like, uh, spoilers for last action hero. Arnold gets hit. Arnold. Jack Slater gets hit in the stomach. He's bleeding to death. And the climax of the film is that Danny gets him just in the nick of time before he dies into the movie again, the action movie that he was supposed to be in. And then doctor comes in and he goes, what is this a joke? It's just a flesh wound. Because he was in the real world. Yeah. In the real world, he's bleeding to death and he brings him back to the movie. And in the movie world, it's nothing. Yeah. So, um, it's funny that I involuntarily always notice this now.

8:58It's not a bad thing. It's just normal how action movies work. Um, you know, it's just the classic case where you can be running, you can be climbing a ladder slowly, but all the shots will be hitting the ladder. Yeah. And, uh, I don't know. What do you guys think about that? Like, did you ever notice it? Did you care? Well, before I, it was always bothered me, I guess. When you're like a teenager and you start figuring things out and you're like, oh, movies are so stupid. Why do heroes never get hurt? But it, it makes sense when, or they don't die. And it makes sense because it is the narrative about Neo. And if Neo, uh, would have died, there wouldn't be the story.

9:38So it's like, or like you're, you're watching a movie about war, right? And then you have thousands of people dying around them, but your hero, you know, goes unscathed. He doesn't get hurt. But, but you're thinking like, well, that's war. Why wouldn't he get hurt? But then you think about it, but that's the only, there's a story about the person who's survived. So why would you kill him? So why would you kill him? It's like, if he would have, if he died, he would be the guy in the background, not the guy we're watching. You know, it's about, it's, you know, it's, it's perspective from the future. You're looking at the past. Perspective from the future. The documentary by Tim Myers. So it's hard. It's like, you know, it, you lose that sort of sense of suspense because you always know

10:18in the back of your head, well, he's the hero of the story. So he's going to make it to the end. And I get great filmmakers. There's even you having that in mind can somehow trick you into, you know, being scared and worrying for the main character. I mean, if you're aware that he's probably going to survive until the end. If he dies, it's probably going to be last like 10 minutes, you know? That is true. I have a quick question about our friend Jay. Remember him? Yes. He's now, he's going to listen to this in 2019, but. He's a veteran podcast listener. Where's he, where's he from? Belgium. Is this Belgian? No, this is Norse. I still hope I'm right on that. Because I was going to say, like, let's see if I get this right.

10:59Do mercielt zuljen haf, ja jai stelt karastaf, kai skulis kretni, tere tule mast, kule male male. Thank you for that interlude. Kule male. Estonia. So there you go. Yeah. I don't know why I brought up this topic when there's nothing to say about that. We kind of, we kind of. No, it's an interesting topic. Like, I mean, it's because it ties in with storytelling and everything. And this is a action, you know, a hero's journey. So. True, true, true. It is something that. I think this is the call to action at the moment. It doesn't bother me. Exactly. Yeah. He's in the wall and he's like, I have to go. More views. No, but it does help when you have other characters that you care for.

11:40Because maybe in this minute you kind of forget that Neo is the hero, but you have other characters you care for and they are potentially, you know, vulnerable to death in the middle of the movie. Yeah, yeah. You never know that. So the suspense is brought up instead of it was just like our hero. Like in Star Wars, The Last Jedi. I think it doesn't bother me anymore, that aspect when, because of course, like you mentioned, heroes aren't going to get shot if they're not supposed to get shot in the story. But yeah, I guess it does help though, when the situation is written or choreographed in such a way where it feels maybe more believable, you know, like, I don't know.

12:26Yeah. It doesn't feel like really ridiculous. But again, it's not a problem if it is ridiculous, if it calls for that, if you don't notice, but yeah, I don't know. Whatever. This is, anyway, so Neo pulls out his Zastava gun, which we talked about. Immediately breaks down, explodes in his hands. And he shoots back. And he shoots half the time, closing his eyes like Princess Leia. I watch Star Wars a lot. You notice a trend, yeah. And he just... And his gun sounds great. The gun sound shots sound cool. He does a little dispersive bullets, one left, one right. Yeah. Just to see if he can cover it. The entire ground. Covered his bases.

13:07And then the, yeah, the guy retreats and then sees the holes that are, you know, left back. Look at these holes. And then, and then we cut to exit Mr. Hat. Oh, yes, yes. And they're like, we have to get to the building faster. Oh, no, no, no. They're already in a building. I know, I know. I didn't think about that until I said that sentence. They're downstairs. Yeah, they're downstairs. They're having an argument. Who's going to inhabit that? Well, then we can have, we can have Exit Mr. Hat, have them recollect, like, remember that time where we had to go upstairs? Imagine this scenario when all three of them morph into this guy. It's like the, you know, like the, the, the knights from, uh, Monty Python, Holy Grail.

13:50And then they all want to go. And it's like, no, can I go with this right? Did it again? Brown. And with that crappy set. Morph out of me. Yep. Yep. But anyway, we have our effects shot. What do you think of that shot? Where the, um, the cop goes, ah. Well, I like his little wiggle with his hands. It looks like, you know, like, uh, do you know those like, uh, puppets when it's like two people and one plays the legs and the face and the other one puts his, it's like the playing, uh, the little man, the midget, the sketch. And then the other person goes behind them and plays the hands. And then usually you feed the person and he plays, he, you know. Oh, you mean like the dogs, the dog faces and the human hands?

14:31It's similar to that, but you, you basically make like a little miniature little man. Okay. I get it. I see what you mean. Like, you know. So one person plays the head and the legs, but the legs are his hands. And, and there's a shot as, as, as he starts turning, there's a closeup of the feet. And it reminds me of that because the feet are going, slapping on the floor. Well, I always hated that this effect shot, there's a closeup on the SWAT guy's hand. I thought that was the best part. And I hate that his hand isn't in the same place as the other guy's hand. Yep. It's not an actual morph. It's, it's like, it like protrudes. Yeah. And that just bothered me forever. I just wanted to be the same hand.

15:11And it morphs so I can go, ah, that's in the right position. So you can put it in there like growth. So you can put it in the video collection of satisfying videos. Yeah. But they avoided the face morph. Oh, the face, we'll talk about a face morph of special, specialness. Because face morphs in this movie are not the, they're not the visual effects achievement. Of its time. It's a magical face morph. We'll see soon. Well, this agent, you know, he gets possessed. This agent gets super violent. How does he know when, when he turns into agent man and he slowly steps away, how does he know where Neo is?

15:57He doesn't, but he's full of rage. He's just full of agent hatred. He slams his hand. I guess you think it's an, it's an, it's an accident that he goes straight for Neo's throat? I think it's just dramatic. I think there's no. It's a great image. Yeah. It's just peeking through those bullet holes. It's just a sort of like semi. The Frankenstein monster. Oh, you can check for the bullet holes. There's Neo. Moment where it's just, you know, I think you don't expect the agents to, you don't expect the agent to straight up go for Neo's neck. Yeah. Oh yeah, yeah. You expect him maybe to sort of like open up the wall and crush it and then you see him standing there and then Neo does something. But this way it's sort of like before you had time to process what happened with a morph, he just goes straight through the wall.

16:43Yeah. It's good because it also creates tension with, you know, our main characters are not expecting them to be. This aggressive. Yeah. Abducted so quickly. So Morpheus then has, you know. Look at his face. Look at it. He looks so concerned and sad. Because this is Morpheus prized possession here in Neo. Yeah. You know, it took him five freaking people to go through. Yeah. And he's concerned. He's a concerned man. But I'm just saying it gives the excuse that then Morpheus can be in a moment going, no. Yeah. And then there's a little insert shot of Cypher going, an agent.

17:24I think it's an agent. Yeah. And then, yeah, there's also, yeah. And then there's... When Morpheus does his... He checks his pulse. What did he do? He was going to say to me? What did he go with his head? Hi, Agent Smith. Thanks for the steak. Hey, what do you want to say? Oh, I always thought Morpheus breaks the wall with his head because he kind of places his Oh, I thought he did zoom. But if you look at the other shot, his hands come first. Oh, I thought it was his head. Oh, man. I liked his head. And let's talk about the yell. I think that yell is one of the biggest yells that we kind of imitate a lot. Yeah. It's a charge up yell.

18:04Yeah. He has to charge himself up. He's a berserker. Yeah, like a berserker. And so he doesn't use his head. Now that we noticed it, I'm very disappointed. But this is what happens when you do the Matrix Minute. And then let's just talk about how beautiful that shot is. That's 90 degree angles. 90 degree angle. Down. How many of these angles do you see? 90 degrees. You see it where he just smashes through the wall. I see it with my eyes. It's so cool. It's unconventional.

18:45You wouldn't see that stuff in an action movie. In 1999. Like the top down? Yeah. And then Morpheus mounts himself. What is Agent Smith doing? Well, he's processing, I guess. I don't know. Processing. And the shot is just looking at Morpheus. But we have to say that both Morpheus and all these guys who are able to bend some of the Matrix's rules, they can at least hold their ground a little bit, you know, slightly against an agent, right? Well, this is funny because remember when Morpheus says, every person who's fought an agent has died. I think that the humans, they undersell themselves.

19:30And I always felt this because they're pretty good at what they learned from Jiu Jitsu and, you know, fighting and shooting. Fighting and shooting. The fighting and shooting program. Then I think that they can do pretty good, you know, against the agent. I don't think they're that inept where it's like one punch from the agents that are dead. Yeah. So I think they're underselling themselves on purpose because they want to make sure that they don't get in a situation with an agent. Unlike the five previous ones. I think that watching this like Matrix minute bit by bit and us making fun of the agents and kind of like putting a comic element to them and, you know, exit Mr. Hat and all that stuff.

20:17Watching this now, they are not as scary and ominous and just like impossible as they were when I was watching this movie as a movie before. Definitely. Well, it's also seen through pop culture too is that I think that we've become so desensitized. They lost that edge. It's like Darth Vader. Yeah. Darth Vader. He's a joke. You have to really put yourself in a specific mindset to conceive him as this real villain. Right. Because it's just way too saturated in our everyday lives and growing up. And we've seen, you know, worse villains since then. It's difficult. It's the same thing with the agents. Yeah. Because I remember thinking about now, since you mentioned that, they were like this unstoppable force.

21:01They were just always threatening, like always just not compromising. It was super scary. And, you know, even like I think, and that kind of helped with portraying the fear that the other people have besides Neo of the agents. It made sense. Well, I think it's a good idea. I think it worked with the Matrix. You know, you had these villains that were, you know, the men in black. Yep. So the shot where Morpheus. Yep. Like you're talking about the 90 degree angle. The stuntman. The stuntman. He's the agent. You can tell. I mean, I wouldn't put Hugo Weaving there. No. That's dangerous. I was listening to a podcast.

21:42I was listening to the James Franco podcast. The stuntman podcast. With, what was the name of Tim? Mark Maron? Mark Maron. And he was talking about the disaster artist. The WTF podcast. Because I've been watching a lot of disaster artist stuff because I think it's out now. I can't watch it, but I'm watching the news and stuff. 210s for you? No, it's not here. That's right. It's not here. It's probably, Slovakia is going to be in February. I'll have to wait in February to see it. We'll have to come up then to watch it. And he was talking, James was talking, Franco was talking about how, exactly what you were saying. Back when I was like, why didn't they put the guy, when Neo was sliding down the pipes in the power plant, why didn't they just use Keanu Reeves? And James Franco was talking about that and saying how, you know, you just can't put

22:25actors in positions like that. I told you. Because there's way too much risk. You're riding on their acting abilities and them being in the film that you, you know, virtually can destroy production if an actor injures himself or, you know. Yeah. You can't afford that and you can't risk that. Yeah. Like, look what happened to Tom Cruise. He sprained, not sprained, he like, maybe, I think he broke his ankle. On what? For Mission Impossible 6 that's coming out. Oh, wow. And it's ironic because, because of Mission Impossible 6, not Brandon Routh, Henry Cavill had to not, was not able to shave his mustache to be a Superman in the reshoots.

23:10Oh, yeah, yeah, yeah. And then he has the magical. But when Tom Cruise, you know, broke his ankle, they had like a couple of months of downtime and it was, it happened to be when they were doing reshoots for Justice League and there would have been no problem with the mustache and he could have shaved it. And he could have used, is Henry Cavill in Mission Impossible? Yes. Okay. And he has a mustache in it. Yeah. And in his contract, everybody knows this now, in his contract. But be sure to buy the Gillette set. Yes. It fits perfect with the situation. So Morpheus says, take him to the dentist.

23:50Trinity go, take him to the dentist. And Neo gets really, you know, panicked. Yeah, yeah. Because he remembers. They all do. Look at Trinity. She's freaking out as well. She is, she is. What happened to her, these cool heroes? They're all scared. But the reason Neo freaks out is because he's remembering the Oracle's prophecy. Yeah, I think so too. I think, oh, this is the moment. This is the call to action. I know this one. Jake told me. No, Morpheus, don't. Trinity, go. And away they go. I'm not worth it. I'm not worth it. Trinity listens to Morpheus. Morpheus, I'm not the one. I'm not the one. And then Trinity's like, come on, Neo. No, maybe I'm the one, but I'm waiting for something.

24:31I don't know. She said, sorry, though. So I'm confused. She said, my next life. My next life. Also, I should probably tell you she doesn't, she thinks you're poor. Probably. I don't know. I've seen this. He thinks you're poor. She thinks you're poor, Morpheus. My next life. Maybe, maybe my next life. That means I have to die. Let me die. Morpheus. Morpheus. Sorry, I played this out. I couldn't hear you for a second there. All right, let's go to 1996. Yeah, let's go. Well, no, let's just finish that. So then away they go, sliding down the wet wall. And that's how our minute ends. It's like a children's storybook.

25:13And down they go, sliding down the wet wall. Yeah, you know those little golden books that some people make. First falls out Trinity. She says, ow, Morpheus is captured. And Trixie, old cipher, pulls out his gun and runs away. Mighty Morpheus. Mighty Morpheus. And his helpers. Morpheus, my next life. My next life. And no nonsense, Neo. My next life. Maybe. My next life, Morpheus. Who knows? My next life, Trinity. Look into my throat, Morpheus. What do you see? Trinity, I'm waiting for something. I'm waiting. Come on, Neo. No. I felt right as rain. Right as rain. Let's go to 1996.

25:56This is what you do, Oracle, when you don't give proper answers. Let's play that jingle one last time. One last time. Many more times. The Christmas jingle. I'll set it off. Ready? Lovely. Lovely, lovely. I hope you like that one. Well, there's a little difference here with the 1996 script and this sequence right here. So, when the agent, before the agent inhabits the guy, this is what happens. He goes, they're into walls, right? And it's because of the bulging wall. It's not because of that. It's not because of the cough. It's because of that. Neo pulls Cypher free just as the cop opens fire.

26:39So, you know, Cypher was stuck. I wasn't listening. You remember, Cypher was the one who was stuck between the pipes and he made the wall bend. And Neo actually pulls him down before the cops start shooting. And so the cops start shooting. And the cop keeps firing with his flashlight strapped to his gun barrel, lighting up the wall until a bullet spits out of his forehead. Agent Smith watches the body fall with the thud. Agent Smith says, are orders that hard to follow? I'll say it again. Morpheus must be taken alive. Understand? I mean, he wouldn't say that because the SWAT man's dead.

27:22But so he would have been like more passive. Are orders that hard to follow? I'll say it again. Morpheus must be taken alive. Understand? And so interior wall, matrix, obviously. They're almost falling. They're climbing so fast. Above them, plaster is smashed open as crumbling bits shower down on them, filling the crawlway with dust. Agent Smith looks into the open wall at the exposed intestines of the building and realize where they're going. Agent Smith says, how like a rodent. Now. There we go. We'll talk about the next one later. Alrighty. What do you think of that? What do you think of that? Weird. Weird.

28:03I think I liked it better than the inhabit. Oh, I thought you were talking about the rodent comment. Well, that one's weird. But the rest of it, yeah, that's fine. Yeah. I think it's just, you know, showing off the world more with the inhabiting. It's a bit weird, the inhabiting in that moment. Because it's like, it's not like they're somewhere else on the planet. There's just like one, you know, flight of stairs below him. So they could just jump in. I guess they're introducing it. Whatever. Because let's think about this for a second. Did we see the agents inhabit any other people's body? Not yet, I think so. I don't think so either. Right, Phil? What? We haven't seen a morph yet. We see it later, but not the inhabiting of other people. Morpheus, Morpheus, Morpheus. None of this like. Not Morpheus, a morph.

28:43Oh, we didn't see any morph yet, I don't think. Ah, so I think that is it. They're introducing it. I think that's why they didn't show the full morph, face morph. Yes. So it's like, ooh, mysterious. And then you go, hmm. We get that. See, we're so used to the movie that we don't even remember where they start morphing or not. Yeah, I know. It's Morphin' Time. Yeah, Mighty Morphin' Agents. Hey, so in Power Rangers, when they go, it's Mighty Morphin' Time, does the song kick in? Oh, yeah, yeah, yeah, yeah. It's Morphin' Time. And then they have that whole little, yeah. Tyrannosaurus! Tyrannosaurus! It's Morphin' on Earth. But they always get, like, helmets. Tyrannosaurus! Mastodon! Pterodactyl! Sabertooth Tiger!

29:23What else was there? Triceratops! Pterodact- Did I say pterodactyl already? Yeah, but you can say them all again. You got them all. You got them all. Okay, good. Just go in a loop. Just keep going. Pteranodon. Just keep going. It's actually a pteranodon. Forever and ever. Tyrannosaurus! Pterodactyl! Spinosaurus! Triceratops! Pterodactyl! Pinosaurus! Teddy bear! Spinosaurus! Spinosaurus! T-Rex! Baryonyx! Cartrodontosaurus! Brontosaurus! Barry Allen! Barry Allen! There they are. And then there's a Barry Allen Power Ranger. What does that mean? Flash! I think we're done with this episode. Right? I said Jake, and we press the recording stop button.

30:05Well, Phil is silent. I'm reading the script because I forgot. Well, if there's anything to say, we'll see in the next episode. Okay. Thanks, everyone. Have a great Wednesday. Yeah. We'll be back in one, two, three days. Yes. Don't worry about it. We'll be back. Enjoy. Good night. Mwum, mwum, mwum, mwum, mwum, mwum. Goodbye.