Minute 57: “Freeze it.”

Transcript

Transcribed automatically from the audio, and imperfect for it — names and punchlines suffer worst. Useful for finding a moment, not for quoting one.

0:00The Matrix Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, Minute, että että että että että että You guys are killing everybody People are waking up Waiting for a relaxing time To listen to the Matrix Minute I hate you guys so much Okay so hi I'm Phil Welcome to the Matrix Minute Wait Phil let me just set up my microphone Let me just set up my microphone I'm just setting it up Just give me a few minutes to set it up That's great Okay now it's set up Let me just play the drums for a little bit Please

0:40I don't have any drums You can play the guitar Oh I don't have it next to me First time Well everybody welcome back I'm Phil I'm your host again I have a trivia and the trivia is that we're almost into An hour of the film That is incredible And Jacob is here, Timmy is here And our special guest is Wait wait let's have our special guest talk Hello I am your special guest I think you might want to check your vocal cords It's the doctor It's the man from the underworld If you haven't guessed we don't have a special guest this time We're finally back after this streak

1:21This long streak of many many people coming in Guesting and being great and Adding their own Matrix stories and Inputs into our Show So we finally are at a spot where we're Not having one this week And It's a little break Yeah it was just a little break And as much as we loved having all of them on We couldn't do that because of Some scheduling conflicts Scheduling Issues Yeah And the show must go on And here we are Going on with the show Welcome to the Matrix Minute Guestless or I'm Jake And I have trivia today

2:04I am sitting Under a blanket That's right Me too To try to cancel I'm talking to ghosts To try to cancel a new environment That is very not Sound friendly That sounds good guys You sound great Cool And I'm Tim And when shooting in the real world Real world The real world They used long lenses To separate the humans From the background As opposed to when shooting in the Matrix Short lenses were used To place the human In a specific Deep spaces Okay wait let me think here for a second Because I couldn't tell I always thought it was the opposite But I guess not Well basically In the real world Basically Basically That's my friend

2:45In the real real real You use Long lenses Talk normally I can't talk normally at all This is a special episode Hello everybody Welcome You know Everything is like zoomed in So you have I didn't notice though Mostly But I remember that wide shot Where Morpheus was like You wanted to know What the Matrix is That's true I mean there's There's exceptions But everything in the Matrix Is like a really You know Like a short lens Everything's You get like a 35 Or something like that That you can see The whole spectrum Hmm I didn't notice that I'm trying to think Apparently That's what I found On the internet So real world Is wide Horial Matrix No real world is close Matrix is wide Is a general rule

3:26Yeah Okay Okay Cool That's a good one That's good Very cool Very cool Yes Very cool Welcome to minute 50 What is minute 57 right 57 It's 57 I know it's 57 57 indeed Welcome 57 And 57 comprises of some Interesting stuff we're gonna talk about And I'm glad we have the time To just talk about it on our own As much as we love having guests Like Niall And George And Patrick And all those other people That came over It's nice to have a break Breakfast And so this is This is what happens In Minute Hold on 57 57 Tell us Gandalf

4:06Rob Dog Dogan's track Continues playing As Morpheus and Neo Walk across the street Filled with dull looking Monotonous droves of people Clubbed to death Morpheus tells Neo Is not the Matrix theme Despite what all of you YouTubers write They also write That John Williams Composed the orchestral suit Of the Legend of Zelda Because they're idiots Neo is puzzled And walks through the dull green street And sees a striking woman In a red dress Guess what She turned into an agent The program is frozen And Neo is taught a lesson About the sentient programs Called agents For some reason Neo thought they were in the Matrix But they're not And that's the minute Neo is confused there For a moment Neo's an idiot That's what we learn No tune in to the Matrix

4:47To hear Neo ask riveting questions Like Why Who Me When Neo is our guy What the hell is Morpheus Talking about What do you mean He's going all All about That everyone's an enemy And I understand What he's trying to Make a point about The agents You know Everyone's unplugged But then he's He's talking about That they'll fight it Vigorously To protect the Matrix What is he talking about I can do a dramatization I can put the music behind me Which is the Matrix theme That I will put behind me The Matrix Is a system Neo That system is our enemy But when you're inside You look around What do you see Businessmen Teachers Lawyers Carpenters The very minds Of the people We are trying to save

5:28But until we do These people are still A part of that system And that makes them Our enemy You have to understand Most of these people Are not ready to be unplugged And many of them Are so inert So hopelessly dependent On the system That they will fight To protect it They don't know better Morpheus is being Overdramatic here He's overdramatic No no no I think Morpheus is saying That they don't know How connected They are to the Matrix They don't know The Matrix exists Exactly So how could they Be protective of it Because that's their Will of life Reality they know Because that's their No no no But that doesn't make sense They don't understand The concept of a Matrix They don't understand The concept of that being real So how can they be Protecting it But to Morpheus Morpheus is saying

6:08We know So therefore Yeah Morpheus is being An idiot as always He is He's like everyone's wrong Matrix is bad He's being dogmatic Yeah yeah And I think that's part of the film And I think that's That's one of the Well it's funny that Since we're watching this again And talking about every minute I am really realizing That Morpheus is Really dogmatic When he's Yeah Talking about these Things in the Matrix Like you said Tim Just because people Plugged in And they don't Know any better Doesn't mean that They're enemies Just means that They don't know What else to do And they're not She I mean I would understand If they knew it And they choose to ignore it Yeah that makes sense But these people have no idea These are generations that Couldn't even tell

6:49That they're in the Matrix And I mean I understand His point You know he's trying to Teach Neo about the agents That anyone's unplugged Yeah He's technically an agent But I always Didn't pay attention What he was saying Before that part When it comes to the woman In the red dress Because that's the End point But now listening To what he's got to say Before it's like It's really getting dogmatic there And like he's Yeah He's really preaching this whole You know Yeah These people are not worth it Because You know Well he's not even saying He's not saying they're not worth it He's just saying that like Since we haven't freed them yet We can't fully trust them That's what he's saying Okay In a sense that makes sense But then again I wouldn't go that far I don't think he's saying They're expendable I think he's just saying That you have to be careful Okay there's two ways To look at it

7:29One way you could say That Morpheus is being You know like cautious And saying be careful Don't you know Trust someone who's Plugged in that much Because you never know When they might turn into an agent Or They won't understand You know like What you're here to do In the Matrix But on the other hand Maybe Morpheus is like We talked about Being very dogmatic Saying like you know These are all people who Since they're not freed You know They don't understand The truth And blah blah blah And he's sort of like Talking from this Like bird's eye Point of view Saying like Since we know the truth Therefore these people Are not like Are not like us In a sense Something like that Right Which is a little bit You know Us and them Kind of stuff And that's really If we skip forward Up a bit And you know

8:10A little bit of Spoilery stuff What we learned That agents What they do When they imprint On other people If you kill that person They're currently like You know Living in Or how should I say it Inhabiting Inhabiting Yeah And then You kill that person They kind of like Die And then they turn Into that person Which means that person Died Yeah You kill the person Who the agent Was inhabiting And it's kind of like I guess It ties in with this I mean Morpheus is like Willing to go You know To protect your life You kind of Shoot these innocent people And they die And they'll never be freed Well you have another choice Because the agent Is the one who is Well like I said Again we can We can say that Morpheus

8:50Is either being cautious Or he's being A little You know Pretentious And like That's an inherent Flaw of the system Of the matrix Why do they program The matrix to function That way And the agent Program Yeah and then And then the person dies Like you're losing crop You're losing Your batteries Yeah I didn't think about that I mean I guess They didn't anticipate So many You know Agents would have to Transform so many bodies But at the end of the day It's like Somebody should patch that You know A little update A little firmware update And patch that I mean the agents Could just Literally Appear In a different spot Oh yeah Since it's all virtual I mean they could They could be Yeah They could be anywhere As many agents as you wanted And they could die

9:31And they could just A little movie thing That you can't really I guess so Yeah Maybe they're just Planning for the sequels What's funny about this With all this Dogmatic talk In the sequel Was that important You mean Agent Smith Well If we look at The batteries thing It doesn't make sense But if you look at The thing that Everyone's brains Is a You know CPU CPU Then it makes sense You know That they have to Kind of imprint On the whole brain For this kind of Really sentinel Kind of being To think You know Because you have Other Other Well there's no NPCs except animals I guess in this world But buildings And things like that That could be Loaded off to some Others You know Hardware To be To use the software But the actual Human beings And their like

10:11Will And to think Has to be in a Human brain You know For the process to work So I guess these AIs As agents So they're competent They'd have to Kind of imprint On someone's brain I guess But it doesn't make Much sense It doesn't make Much sense If you think Wow you actually Remembered Okay I wanted to say That with all this Stuff that Morpheus Is talking about He says it in such A cool way It's shot so well The music is fitting Right into that theme To drive the point Of what Morpheus Is saying And I really love That tapping On his head You know When he's talking About it The very minds Of the people And he's tapping On his head Doing all that Body language So cool His presence Is so cool And guess what happens This whole thing Is probably

10:51Deliberately Dogmatic And black and white But guess what Everybody loved it When they watched The movie Oh yeah man So they It's just now That I'm seeing that You know They're part of The church Of the Matrix That's right That happened Especially when you Have such a cool scene I will show you Open doors And then everyone Does that Everyone together Does the sound Going Imagine 100 people Going And the sub slogan Is you know I can only show you At the door You're the one Who has to walk Through it And then everyone Everyone in the No no no The church of the open door All you have to do Is walk in Yeah there you go Perfect In the ceremony You know Potluck for the Saturday

11:32Yeah yeah The congregation When he says that You're the one Who has to stop Step in Or walk in I don't know what it says Everyone does one step forward Ah I like it Instead of amen He's just like And then they play The Matrix theme Yes Yeah And like the more Modern churches They have like little Steps drawn on the floor To see where to You know Where to take the step Oh yeah yeah Little lights You know Exactly To guide you So anyway This place was This was shot In Pitt Street In Sydney Australia Downtown And Martin Place Which is a Connecting area And Martin Place Has the fountain The famous Martin Place fountain That's where they Filmed this And apparently It was a really

12:13Really stressful day For everybody To be filming this No way Yeah It wasn't too great It wasn't going well For them It was the birds The birds were Interacting people There was just too much Traffic and too many people Because And there was noises There's lots of There was like Apparently there was Like a jackhammer Going off in the background And all kinds of Audio Yeah Can you imagine that Yeah Can you imagine that Their studio What's it called It's Stone Street Studios We're talking about Leather rings now Yeah We're talking about Lord of the Rings Stone Street Is located right next To the airport It's hilarious That's what I'm saying Can you imagine that Right next to it We google earthed it And it's right there So that Yeah I mean Our shooting schedule

12:53Is in between Every takeoff But I think I think now They have these Bigger studios Like the Kong studio That they made After Lord of the Rings They moved Further away They thought They didn't move Further away But at least Those things are Reinforced and stable Because like The studios Remember like You obviously know this Tim Like the studios That they had For Lord of the Rings Were basically just Paint factories And old abandoned shacks Which I think Has a charm to it though Like there was no Real studio Yeah but most studios Besides Hollywood Are like that They're like usually You know old hangers Or you know Airplane hangers Oh man Do you remember that? What about the 007? That's in England That's Isn't it like Those are big ones Those are good ones Studio What is it called? Pinewood

13:33Yeah Pinewood There we go Pinewood And then there's Elstree Which is also pretty good Twin Pine Studios Yeah Everything's shooting In Atlanta right now Actually it's Lone Pine now I think Oh yeah you're right So weird that Atlanta Is now the new Vancouver Is it? Yeah all the MCU movies All the big blockbusters Are shot in Atlanta For some reason though I just know That's good Like new jobs Yeah totally For Atlanteans I just remember this Great film that came out Called Baby Driver They shot that in Atlanta For reasons Yeah they did They were saying Yep again Atlanta's the new I wonder if they just Be great again Are they like too expensive At one place Or they just find a new place I think so Tim guess what Guess what What Our state of Indiana Where I don't know if

14:13Scott Corelli Actually lives there But many Hollywood studios I don't like saying The word Hollywood But you know what I mean The film industry Yeah we know The big ones They all sort of were Kind of hoping that Indiana Because they had this opportunity There was this legislation Coming through to the state Where they could have tax cuts For film productions And they rejected it Indiana rejected it Yeah that makes sense There you go They lost it They lost it And then you know If they did that Man Everybody would be filming In Indianapolis It was predictable though That Indiana would have been like Dude Yeah No need Speaking of Indiana I was looking at Google Maps You know like Google Earth I was just looking at Indiana Just you know where Anderson is And Mr. Anderson It's just endless fields

14:55And grid roads Yeah yeah That was so It gave me anxiety Just looking at those roads It's like What is happening This is like the Matrix It's just Like a Well we do live in Mr. Anderson Indiana So yeah That is crazy It was just like A grid line of roads And in between Was just farms And there's like a little road It comes to a farmhouse And it was just Like millions of them There was nothing There was no forest There was no grass Nope There was just endless fields Endless fields Yeah Like I remember going to school How is that not depressing? Well I think this part of it Is kind of Like For anyone who doesn't know Jake and I used to live In Anderson, Indiana For a lot A long time Yeah

15:35When we were kids I mean it was kind of I wouldn't probably say depressing But it definitely isn't Necessarily inspiring Like there was no hill There was nothing I mean that's where I grew up as well It was just fields agriculture So I was like I hate it It's like I know some people find like Poeticness in it Like endless fields Like a sea of grain But it depends What kind of fields Like if you're talking about Like English green pastures That's nice Yeah yeah yeah Corn Corn And it's all flat too It's so exciting Tornado warnings Every time there's a storm Yeah It's just flat Oh yeah that's right But like when we got older We decided We were like Just getting so sick of it And the more older you get The more you're like Nope I think when you're younger You don't really mind Because you're doing other things Like going to school Or whatever Going to your friend's house

16:16But then when you get older You're like There's nothing really here So anyway Back to the Matrix Everyone's really rude In this program But they're worth Dreamy Donald's That's you know Yeah we talked about Last time that it's Oh sorry McDonald's A lot of McDonald's Never mind Yeah like three of them I think Wow Yeah Anyway Okay what were we saying They don't have good Pathfinding These programs They're just like Why Yeah they just bump into Neo All the time Well here's what I want to say About this scene What I liked about it Is that The woman in the red dress This is Oh yeah I love her She's in this one Yep What I like about this scene Is that It is a very Fresh feeling scene

16:57Because While we're watching the movie And while these layers Are unraveling We get to go back Into the construct Not the Matrix But I like that You kind of get this sense That like Oh okay you know We're learning Even more stuff And we're How far are we in the film 57 minutes in You're still learning stuff But it's all very Important for the story World building Yeah World building And it's getting Even more complex Remember we started In the city With a chase scene We had no clue What it was about And now we're here already We learned about Neo We learned about The real world We learned about The Matrix This entire backstory Now we're learning about How to interact

17:38Within the Matrix How these freed humans How they survive You know chasing Yeah Running away from agents What are the specifics To protect yourself So it's cool Because it's like You know You're still like Getting into the story But it's not at all You know heavy hitting Or just like Really like You know hammering The plot Except Morpheus Is hammering his dogma Well yeah he is Yeah he is But you're listening to him Because you're like What is this Yeah I love him What is he talking about And so that's what I like About this scene And it perfectly illustrates For the audience as well Yeah Because a lot of What he's trying to say Otherwise you wouldn't I would probably not understand What the hell he's talking about If it was just him Sitting on the chairs Explaining this Oh man boring

18:18Like imagine Imagine this ready How to make the Matrix worse Yes yes Give us your best pitch Here we go again Think about this These 57 minutes They weren't at all Shot It's just scrolling text That would be the best Oh no It's in sometime in 2099 Humans wage war Didn't we talk about this With size Yes yes Did we say that Because the guy said That like every Leisurely I know it's going to be A terrible movie That it's going to have Like the text But we didn't mention The Matrix having that though No we didn't But imagine that Imagine that So all these 57 minutes Are just reading For a minute Or two minutes And then we cut into Here or something Imagine if it's Club to death playing And there's text

18:58In the year 1990 It's in the Matrix font In green Yes No no no It's Yeah Like going Like all those 80s Well I have to say The only two ones That were actually good For some reason Star Wars pulled it off Do you know the story About Star Wars And then Terminator Pulled it off too Tell me the story Back in the year It's okay in Blade Runner As well Oh yeah The Blade Runner one too So you know the What's it called The movie brats Right Yeah the movie brats Brian De Palma Steven Spielberg George Lucas Francis Ford Coppola Oh right The group of Marty Marty Scorsese

19:38So when George Lucas did A cut of the movie He showed it to all of them And it was It was terrible And everyone kind of Looked at like Holy crap this is bad And De Palma He's the one who suggested You know like Why don't you put a You know like No one understands Who these people are What are they fighting for What's going on at all It just starts this thing happening So why don't you just put Like a little text crawl Over there You know and that To explain where everything is And that's So it's I didn't know that Yep That's cool So it could have been Well Jacob I have these Wonderful making of Star Wars books You can borrow them I should probably read those They're pretty good They're pretty darn good I like them They have pictures

20:19I have notes guys Come on I have lots of notes Buddy buddy Let's take a look At the scary cop For a second Okay The sexy cop Not scary cop He's terrifying Sexy cop Look at him Look Okay let's stop Is he gonna be the screenshot Or the red woman I'll go I wait for a cop Look at his Red woman I think the Cop Look at his Look at his sexy Okay The cop Look at him He's got like sexy thighs He's got a clean Look at He's got some really tight pants Tight pants Look at that jaw man You could You could Oh look You could cut glass With that thing You can chisel And that dimple That dimple Look at that He's glorious What are you talking about That's not scary I think he's terrifying

21:00I think he's just like He just came out of The Alfred Hitchcock movie Scary Also it's funny That he's Liquid cop from Terminator 2 But he's resting his Leg on the Car Yeah I think I think Mouse Is a bit bi I think You know Everyone's just concentrating On the red woman But I think He's exploring his sexuality On that cop as well Maybe someone else Programmed this No one can program These stuff like Mouse and Tank No no no You're right Who knows Who knows Did you guys think I just Because we were like Saying oh this is so You know obvious That Neo's an idiot That he thinks

21:40He's in the Matrix But I think I remember watching this For the first time I thought we're in the Matrix As well I think this is a For the audience Yeah yeah yeah Totally Because it's a shock You know like You know like Oh no Neo's gonna die But no it's true And I love this effect That everyone freezes Well how is this done Philip They just freeze the film And they're on the green screen Okay wait Philip Let me ask you Was it just a green screen Yeah dude It's just like Look at that It's just still images You don't have to do anything It's on a tripod It's all the shots Where everything's That is true Nothing's moving Yeah you're right Philip Do we miss any notes That you wanted to cover earlier I wanted to talk about A lot of things Well then let's do that We'll talk about them Let's do it Okay well I wanted to say that I'm just giving you some space Thank you Because all I am Is the co-host

22:20And all you are Is the co-host And all Tim is the co-host Look at me They're putting me down Like a dog What do you mean We're all co-hosts Equal level No no That's okay Except I'm the one With the notes That I wrote beforehand Because I Because Philip You can say anything You don't have to be like Wait for me Okay so Morpheus's monologue About the people Inherent into the system I just wanted to mention How much I liked How he delivers it And how it's written And it's my favorite exposition In the whole movie In my opinion I just like how he's talking And how they filmed it Like how the crowd Is bumping into him The music's playing Morpheus is usually Shot from behind And you can see his back And he sometimes turns To the camera almost

23:00And stuff like that And I just I thought it was cool I just The feeling of it Is really neat And we can talk about Club to Death Let's not I just wanted to say That it came out In 1995 Oh really? Yeah And it's by Rob Dogen And he's an Australian Composer and mixer He does remixes And also did something Called Hard Times Which is a single That got popular Sometime in 1995 Hey is the music video From him too? Remember we watched The music video? Yeah yeah yeah Is that 1995? No that was later Because it's a song That actually came From another movie You know what the movie's called? Club to Life

23:40Club to Death Oh wow It's a French film About clubs And some girl And club I don't know Okay But it came out in 1997 And that's where That music video came from It has nothing to do With the movie But it's probably Better production value Than the film was And yeah That's Club to Death Some Club to Death Info for you I actually know About Hard Times That's a classic House Oh yeah? Yeah it's like 90's house Hmm Early house Stuff Awesome No I didn't know Awesome And Rob Dogen Got super popular After The Matrix Clearly And everybody Paid attention to him Then Awesome stuff Awesome Very cool

24:21Very cool No we're not The Nerd Girl Now that they're talking And then What do we see? We see the woman In the red dress It's really cool This is a good example Of digital grading Because you wouldn't Be able I don't think You'd be able To get this If you did it Chemically Photochemically You might Get what though? That kind of effect Where her dress Is just so warm And red With all the other Washed out You know Acid Acidy green All around her I mean you can do it With proper set design You could You could And with makeup You know Don't have Put like red lipstick On anyone That's right And just give them A little bit Paler makeup

25:02So their faces Are not You know what You're right You could actually Just like Makeup could Practically Give them all A little bit Of a hair dye Make everybody Kind of greenish Put their makeup Like that All the costumes Like that And maybe put A filter Over the camera A little bit To change that But yeah But this is a Pretty good example Of digital grading And you know What you can do With just a couple Clicks So anyway There she is Wonderful slow motion Shot I love how That reveal Goes on Where these people Are sliding away From the camera They're walking by And you can just Oh yeah That's a good Blocking there Yeah don't you want To see like The guy behind her

25:43I keep looking At that guy More often The cool guy The fashion guy Yeah It's young Severus Snape Right there There he is With his lady He's awesome He's got that Small and shot By the way His lady looks sad When he does The freeze frame And there's like The Like the Big shot What do you say Big shot No it's not a big shot White shot The big shot White shot There he goes The big shot You can actually Clearly see The twins There's um Some of them Are not next to each other There's like a Neo copy guy On the right And then he's on the left Oh yeah yeah yeah There is The two bald men Are walking behind In that white shot Each other Yeah You can actually see The other The other copies There's All the way on the right

26:24There's two twins With like Little white and blue shirts And they're right next To each other And behind them It looks like Martin Freeman Holding a gun But I don't know What that is about Oh I see it Yes Holy cow What is this It is Martin Freeman With a gun That's hilarious Oh that's good I love these gems We find I want to mention Something about The woman in red Because she's played By Fiona Johnson Who's an Australian Actor And she pretty much Stopped doing movie work After the Matrix But she's more Of a model I guess But she also Her last movie was I mean she's in Modely You know what movie She was in last I thought it was The Matrix Star Wars episode 2 Attack of the Clones No way

27:04Yes What She's just She's one of the extras In the In that You know That bar Oh no way That's hilarious Wait was it Was the new The The cameo bar Star Wars Shot in Australia as well Australia Fox Studios That's why All these people Are showing up Since you mentioned The club We should mention Officially Who else is in that Scene in a Star Wars episode 2 Is the guy Who tries to sell Obi-Wan death sticks We talked about that Last time We did but I don't Think we like Completely clarified Oh yeah we just Mentioned it So the actor for Mouse plays that You wanna buy some Death sticks That guy yeah And so Gotta mention that again She's also wearing red In the bar scene as well So that's interesting

27:44That's interesting Fits her skin well It's just so funny How this is one of those Images in the Matrix movie That has a big impression As well Don't you think She's just there For like two shots And everyone remembers It kind of thing Everybody remembers it Well it's interesting Because I think The Matrix Like a lot of Pieces of I guess we could say Art You know they Remix stuff From previous Ideas And older films And things like that So I think The Matrix has a lot Of elements That Kind of remind you Of things you've Probably seen before But they Do them again In their own Original way

28:25And so the woman In red I think is You know Because like Similar things Have been done Let's say like I don't know This is later Obviously Let's say Schindler's List I was just going to say Is this the little girl From Schindler's List She survived It's something It's something like That I'm sure Has been done before But you know That's part of Making stuff You You do in a different way We got photos Yeah I send you The photo shoot Some old pinups In the middle one Is where we see Later on Mouse Looking at When he's in the Matrix But this is actually The whole photo shoot Of the woman In the red dress Fiona Johnson I didn't get anything I have a good Little story about Fiona Johnson And according to

29:06Phil Osterhaus Whom we should get At some point Somehow So according to him When Fiona came to do Costume fitting And then she waited Outside the set So And then They're just in a Costume fitting And she's waiting Outside And across the street There was this guy Who was pulling out His car From a garage And he was So distracted by her That he accidentally Backed up too fast And then scraped The top of his car And just Sort of drove away Because He wasn't paying Attention He was looking at The woman in the red dress Oh I see That makes That makes sense That I figured it out So this Effect Like we were talking And she's in a red dress

29:47Because of the red pill No I'm kidding Definitely And they were like Red pill red dress Yes So this effect Is obviously A freeze frame Yep it's just A freeze frame And you can tell I always could tell A long time ago Now they wouldn't do that Because of the pigeons The pigeons are Motion blurred Well I think that's fun I think that's kind of cool That's fine I'm just saying That's an easy way to tell Okay I see what you mean Yeah I guess I guess if they were Like one of those Yeah Hold still What if it was now It would be like a 3D You know Yeah they would be Moving their camera They would move The camera around To be honest I think it's done Really well Yeah I mean They could have done it Back then They would just do the whole Well they couldn't really Because you have to

30:27You mean have everybody Do the Yeah the Their 6D Wasn't that Like last Last year there was This meme going around Where people made You know those Like Oh yes The mannequin challenge Yeah Mannequin challenge What I also wanted to say Is that You're an idiot I forgot I know I know There's Martin Freeman In the background With a shotgun For some reason We should link him What if Neo had a camera In there And he just started Taking pictures For the scrapbook Up lady skirts Oh no Oh no This is getting bad Okay we're done Wait wait wait There was something I wanted to say What did you want to say Jacob I love Neo Ducks

31:09It's just like Man that photo shoot That's like her makeup Is quite different From the one When they filmed In the movie Alright this is like Deliberately I think they just Sat her like Let's make it You know Classic 50s pin up Yep I forgot What I wanted to say It doesn't matter Maybe think of it Next episode Maybe next episode Then the agent Shows up right There he is He points his Desert eagle Yep he does At Neo Ducks and goes Should have done that In the matrix The worst version I remember when Lawrence Fishburne Was talking to the Wachowskis And they're like Okay how should I Say freeze it Should I put my Arm up and go Freeze it Yeah yeah No no no Just say it Can we like Link Yeah we should Freeze it

31:50What What Philip Jacob Yeah we'll link it We'll link it Anybody got anything Else to say As we leave No I have nothing To say honestly Okay So everyone Thank you for listening Yes thank you The matrix minute This was a very Mellow episode But we covered A lot of ground We talked about A lot of stuff A lot of ground Great Yes And This is the only Time we'll see Agent Smith with Morpheus and Neo Together In the same shot The holy Trinity I think I think that we Can end this This is a special Episode Because since we're Back and it's Chill I think we don't Have to plug Anything this week What do you guys Think The matrix Just chill out That's the one

32:30There's only one There could be Only one The matrix Also mad ups To our To wonderful Comment we got On the matrix Minute page Or the discretion Discretion group Oh comment Yes that was an Awesome comment I got excited About a comic Mad ups to The new The new Encouragement message We got We love you I love you at least Yes We got some Really nice Encouragement And we just Appreciate it a lot It was very Just such kind Things you had to say About us Thank you And we hope We continue to do An okay job Yeah Yeah Especially since We're moving on To the second half That's right

33:10Yeah Yeah Alright So we'll be back See you next time Next time This time Thank you.