Minute 127: “I didn’t come here to tell you how this is going to end.”

Transcript

Transcribed automatically from the audio, and imperfect for it — names and punchlines suffer worst. Useful for finding a moment, not for quoting one.

0:00Welcome to the Matrix Minute, a micro-podcast where we discuss the first May of the first movie at the same time because we just love this movie. Hi, I'm Jake. Hi. Hi, I'm Phil. Hi, I'm Tim. And my trivia today... My trivia is that... We have one episode to go. Thank you, that was my trivia, how did you know? Well, I mean, you know, you gotta know these things when you become a podcast host. In recent news, the box set is out. Yeah, yeah, yeah. And we got the retail price, guys. We talked, you know, with our business associates and our consultants and stuff.

0:41Exactly. They listen to the podcast and they go, guys, great idea. And the retail price is a really good deal, I think. It's only $8.99. That's $8.99, right? No, no, no, no. $800.99. Oh, yeah, that's not bad. But that's the bargain special. Yeah, it's bargain. I think it's just... The regular suggested retail price is $1,649. $2 million. $1,649. Yeah. So that's... Yeah, it's just like those Lord of the Rings... But if you think about it, it's a collector's item. So if you're a hardcore collector, we would recommend you buy this. Possibly multiple copies. Yeah. They're all limited and they're numbered. Yeah. Unfortunately, we don't have time to sign them.

1:21No. But we have a copy of our signature that we printed. It's already printed in the booklet. Yeah. Of course. Yeah. It's printed on an A4 paper. Yeah. Recycled. Recycled. Folded in there. Saving the environment. We just fold it in. Yeah. Saving the environment. I mean, the problem was that... And you get large portraits of us. Oh, my gosh. Made out of plastic. Made out of plastic. And you can unfold it. And it basically covers your whole wall. So if you want all three of us, you can do that. It comes with like a shrine and everything. It requires a lot of work to set up. But I think... You actually have to hire someone. Hire a professional to get the optimum solution. We offer that as well. Which is great.

2:01And we get some... The truth is it's one of us. We get some kickback as well from that. So we're Randy's construction. We got him to do it. We're in a dealership. Like your partnership. That's great. Yeah. And they can set it up for you. It's great. It's nice and high gloss. For a further... How much was that? Like about $250? No, no. I'm sorry. That one's a little more deluxe. It's $3.5K. $800 is the $3.5K price. Right. $3.5K for the shrine. But I think that you'll be really pleased if you purchase that. Because it'll make the listening experience all the more worthwhile. Yeah. You can basically look at us. You can see us visually while listening to the vinyl quality record. And it's made from that holographic material. So if you move a little bit left and right, it looks like we're talking.

2:44We also provided convenient papers to give you a good size for the speaker that you might want to put into that shrine. Correct. The stereo speakers. We also sell speakers. No, we don't sell the speakers. We don't. Through our partnerships. We offer the... Oh, yeah. Well, through the partnerships. The deluxe deal. Special deal. Only one type of speaker, though. Of course. We were going to have a special brand. But if you have your own, we have quite a few detailed schematics. We don't recommend putting your own. We recommend purchasing it through the correct channel. Yeah. But if you have to, we have detailed schematics printed on non-recyclable paper. They're recyclable. Okay. That is about... The A4 paper was recyclable.

3:24A couple hundred pages long with extensive details on how to modify the shrine. To suit your needs. Yeah, and to make it easier on you, you can easily just ask our partnership with... What was it? Jimmy? Randy's Construction. Randy's Construction to do that for another... RC. For further $799. That's correct. So I think overall... And this is not... It's a good... This is not tax... No, no. At least in the United States. This is... Or Canada, I guess. This is a not... I think you get a big, good bang for your buck, in my opinion. Absolutely. And, you know, I really think you can't go wrong with the whole situation. It's a whole box set. And basically, it's a really... It's a good thing to enhance the decor in your room.

4:07Yeah. Basically, two walls will be dedicated to this. So, yeah. I think that's fine. Two walls? I got two walls. No problem. I think most people have two walls. Most rooms have at least four. Yeah. So I think that's half the room, which is not too much to ask. I think so. That's the announcement. Anyway, that's getting the business out of the way. Good, good, good. What's up? I like these deals. The business is out of the way. Minute one, two, seven. Also, for further information, just contact us. It's ask at the matrixminute.1. And, you know... No, but this is shop at the matrixminute.1. That's correct, yeah. So, and one of our assistants will get in touch with you and get you sorted.

4:48But, yeah. Workdays are Monday and Tuesday. I think it's just Tuesday. Oh, it's just Tuesday. The window is 2.30 to 3.00 p.m. When we are available. I'm doing our voices. Hello, this is Randy. Call in and... And they'll refer you to the proper place. And we only accept wire transfer. Nothing else. Yeah. And so... A little bit old school that way. And when you get to the phone, you know, when you get to call, please expect at least 20 minutes to wait. Whole time, yeah, because busy. And when you do, you'll be referred to the other places, you know, the next step to get your problems sorted and your order place.

5:33Great. But a good thing is when you're on hold, it's actually Jake playing live. It's cool, yeah. That's part of the sort of... He sits at home and is like, oh, someone's on the call. Crap, crap. Bling-a-ling-a-ling-a-ling-a-ling-a-ling. Yeah. It'll be either me live or we'll put the Matrix 96 jingle on loop. So, one of those two. And we all love that, so I could listen to that all the time. I think you love it too, so... Yeah. Mm-hmm. Okay, we're done with this. The business offer is finished. Okay. So, we don't want to oversell it. Okay. All right. What minute is this? This is minute 127. One more minute to go. Wow. Because we're not doing the credits. We're adding the credits into that 128-minute thing. I think we could keep the script, the final script analysis for the last episode.

6:18But in this case, we have a transitionary minute where Neo and Trinity get to see each other again. And I'll tell you what happens in minute 127. Tell us. Quiet, quiet. We fade back in. Trinity covering Neo. All the lights are out. And Neo opens his eyes. They share a kiss. And the camera pulls away. Just as in the beginning, a trace program begins again. But over the phone is Neo's voice, who tells us that he knows you're out there.

6:59He knows you're afraid of change. But he doesn't know the future and didn't come here to tell him how he was going to end things, but how he was going to begin them. And show the people a future without you. Bam! Without the Matrix. Wow. Wow. We're already there. That's hilarious. This escalated like quickly. Are you prepared? We were just at the Oracle's house. We were just at the Oracle's house. Yeah, that was when December. And then all of this happened. Yeah. Now it's April. Let me tell you guys. April was the month that I tried to get you guys to do this.

7:39And we actually started recording in April last year. A year is amazing. We've come full circle. We shall reminisce on the final. Spring has turned to summer. Yes, you're right. We should do that. We're not so tired. Autumn into winter and spring again. We're in the nub. It fades in like a commercial. That's correct. Commercial break is over. That was the commercial break. That was the commercial break. Remember back in the day? Yeah. Yep. In the nub when they were finished with the Sentinels. Yeah. Almost attacking them and it fades out. This is all commercial up until now. This is where you come back in. Mm-hmm. Neo wakes up. He was saved. Yes, he's...

8:20He's safe. Yep. It worked out in the end. Yep. He's all good. Um... Trinity and Neo look at each other affectionately. Mm-hmm. And they kiss. That's what I described, indeed. That's a good point. Um... And the camera kind of rotates around them and then moves away, right? That's correct. That's an interesting point, how it moves away. It is good. It is interesting. It is good that it's not lingering. I like that the camera... Let them have their way. And we're done. And that's enough of that. So, Tim, tell us what you think about this being lame. It's not lame.

9:00It looks good. I just... And it's good that the camera moves away. It makes it less cheese balls. But it's just reminding me of the whole role of Trinity of being the woman who, you know, is like, Neo, I love you. That's why you're saved. Right. But now Trinity gets to talk to Neo and she's not afraid of, you know, showing her emotion and affection towards him. You know? This is the first time this happened. Yeah. Before, she was afraid. She's not afraid of anything else. But she's afraid of this. It's just such dry romance, which is fine. It fits the mood of the movie. It's just, when I think back, there's little bits of, like, admiration from one to another

9:41or something like that. Like, when she brings him food and things. But it just feels so dry. It never feels... I mean, which is ridiculous to be asking for realistic romance in a movie like this. I was going to say, yeah. I don't think you can ask for much. Yeah. It's just, like, very stoic and, you know, theatrical. One good thing about it, though, is that I think that it does leave the film on a nice hopeful note, which is that not only did this all work out and, you know, became the one and they succeeded and so forth with a lot of casualties. It's nice because now when we cut later to Neo giving his speech on the phone, it's just a nice thing to know that it worked out, you know? I know.

10:21It's just like... So you can leave the cinema and be like, ah. Instead of, like... Leave the cinema and... The cinema... Or you have to find yourself a girlfriend to be the one? Like, you know, what kind of message is this giving us? No, I don't think it's even a message necessarily. I just think that, you know... It's Hollywood. You can just, you know, just chill out a bit. Tim, you've become your parents. Yes, I have. It's just like... But look, I'm not advocating for either or. I know. I'm just saying, like, I don't think it's as bad as it... You know, I don't think it's necessarily something to be like, ooh, it's bad. It's just... Yeah. Ooh. It's like eating food. It is bad. It's like, ooh, that's bad. Watching a movie. Ooh. That's bad. Ooh. That's bad. But at the same time, yes, I agree with your talking about how we mentioned that Trinity

11:06does unfortunately play the role of the just sidelined love interest, which is not... I mean, like, at the end, yeah. I was like, fuck out. I was going to say, well, not necessarily... Not entirely. Not entirely. It just devolves into that. That's the problem. When you compared it to the script, I felt like... Okay, but here's the question. What? How would you have Trinity be in this situation without that? That's a good question. She'd just be one of the guys. Yeah. Panicking because of the Sentinels. Well, maybe she could be, you know, in love with him and he doesn't return to love. Oh, yeah. That's true. Because he's the one and he's all holy and she kind of like becomes terms with that or

11:47something. I don't know. It's just like... Trinity, I'm holy now. This doesn't work like that. I can't love when I'm holy. I love the whole world. Think about it. It's nothing personal. I love you, but I also love Morpheus and I love everyone. Everyone equally. That's a good one. I know you love me, but I can't. Trinity, I can't love you specifically. I can't love you specifically. Because I love Morpheus and she's like, what? And Tank. I love everyone. And Cypher. And everyone. Forgive him. I forgive the machines. I love the machines too. They have a heart. I love basically Trinity. I love life. I love life and I will save it. Okay. Now think about this.

12:28Yeah. The ending of a film, like the very last moments of a film, if you lead them, if they lead the audience, you know, down the straight and narrow of, you know, embracing the film and being engaged. Those are the, people argue that these are the most important moments because that's the stuff that you will remember the most. Because you can't really remember the beginning. You can't really remember the middle. As long as the ending gives you a concluding moment. I believe it's just a psychological thing. I know what you're saying. Third theory. Ah, yes. Not the fourth, but the third. I like that one. The third. It was good. Right next to Beethoven's fifth.

13:08Yeah. It was a good one. Okay. No, but I want to say someone did mention that. A filmmaker. Yeah. Not a theory, but he mentioned like, that's important. Yeah. It's important because that's the stuff that gets stuck in your head at the end and it makes you feel great, you know, or whatever you want to feel. Well, that's exactly what I was saying earlier was the thing that's a hopeful note where when you leave the cinnamon. Yeah. You go, ah. Yeah. You're happy that there was a conclusion with Trinity and Neo. Yeah. I mean, you could take this whole thing out and Trinity didn't have to do anything and she's just like, I believe in you, friend, you know, and then he wakes up, you know. My best friend, my bud. And then he wakes up. Are you okay, Neo? Yeah. Good. Morpheus? Fine.

13:49Amazing. Amazing end. Fine. Fine. And then take. I'm bleeding. I'm dying. Help. I don't know. I really don't know how. I mean, there's multiple ways to change this. There are. We're basically rewriting everything now. It's take us down. Yeah. We're just going crazy. Rabbit Hole. But compositionally, this shot is so beautiful. Now you have your chance again. I have my chance to tell you and explain why. Okay. Let's look at this shot. Look at this. The way it's framed at the beginning. There's Neo in that seat. The lighting is, you know, like sort of on the left side of him.

14:30And it looks great from the beginning, from the opening, when the camera is kind of on a, almost straight on shot of Neo. And it, and, and the light just looks like a, like a spotlight, like a theater light, like a small, insulating, soft light, which shows that they're in a cave, that they're in a, they're in a closed space, a space that has been pulverized by the EMP. And as the camera moves, and then you, as the camera moves, and you see Trinity and the, based on the, the lens distance and like the lens, you know, the, the, the, the focus distance

15:13of the lens, we're, we're, we're dealing with a fairly wide lens, like, because as the camera moves and it's close up, Trinity's body moves very fast and it's dynamic. So it makes a very 3D shot. You see what I mean? Isn't, isn't the shot lit like this when they're, when they're making love in the cave system? Um, the same setup, same setup. They're like, there's the shot in the matrix, let's copy that. Yeah. It's just more green, I mean, more red. And both of them are almost in silhouette with the highlights showing through that light that's coming through. And, um, for me, that kind of contrast of the black with only just seeing just the little bits of highlight on Trinity, and then soon enough, the little bits of Neo highlight

15:54on the edge of his face. Um, it's so, it's soft and it's, uh, it just makes you focus on just certain features of the face. And the way that Trinity's like, you know, her positioning is kind of like a little, like tilted down a little bit with the shoulder and, and, and the, and the darkness in the foreground, uh, it makes it look, it just makes it look fancy. Fancy shot. No, but it's just like, you see, it's just that kind of like, it's in the darkness and it's, it's, it's, and then how the light bounces from the chair to Trinity's, to Trinity's, what do you, what do you think the lighting is saying? Hey, is that light dynamic?

16:35Because when we go there, Trinity's all in the dark and her like chest is dark and then all of a sudden it's like. Yeah. Someone turned on a light somewhere. Yeah. Yeah. Morpheus. Here guys. So you can kiss better. Let me turn this around. Um, um, and that's what it, to me, it just says, uh, it's a, does it tell you it's business time? What does it tell you? It just looks, it looks important. It looks, uh, like, imagine ordinary, like imagine without, like imagine if the, there was a fill light

17:18and imagine if there was more lighting going on, it would be flat. I mean, you could see the lips touching. You would, you would instantly, that would get an instant NC 17 rating. You would instantly, but like, you know, like you can, sometimes it's hard to explain. Same lipstitch. Sorry. It just makes it look really robust. Important. Important. Okay. That's good. I like it. I, I, we, we, we will take this description and put it in the, in the books. This will also be in the back of the box. But you know what I mean? When you instantly like, you can tell if a shot looks good or not. Yeah. Yeah. I mean, I think so. I mean, I would say subjectively I can tell.

18:00It's context as well. Context too. I mean, there's, there's various good shots, different ways to do shots. Look at Trinity in that shot. It's so good. It's beautiful. Okay. We've talked about the shot for ages. Well, I'm just giving explanations. Thank you for explanations. That's true. That's true. I like the explanations. Yeah. We had, we could have had so many explanations. But it's okay to the end. I want to get to the goods. Yeah, the goods. I want to get to the goods. So it fades out. And now comes some serious goods. It's some 1999. We're back to the call. We're back to the call. So you can tell us because you told us about this. Yeah. We started with the call. We start with the call. We're ending with the call.

18:41The dragon call. The call to action. Can we see? The machines have had the system. But it's the call to action, right? This is the final call to action. Yep. The final one. The true call to action. This was all just training. Oh, shit. But Phil, do you have the information on the dates? Yes. So when we started this journey, the call trans-opt received and the date at the beginning of the film was February. February. February. How do you say February? I say February personally. February. It was February 19th, 1998. Okay. February 19th. That's what's 19, 20, 20, 20.

19:21Three days from my birthday. And it was on 1 p.m. 1.24 p.m. Okay, one more time. The year. I forgot the year already. What did you say? February 19th. Uh-huh. 1998. Okay. February 98. Uh-huh. And now we're looking at September 18th, 1999. So. Wow. It's a year and a half. Uh-huh. A year and a half. No, what? Two and a half years later? Yes. A year and a half. Sorry, a year and a half. This whole movie took place within a year and a half. No. But. His hair would have grown like 40 times. Oh, wait, wait, wait, wait. Wait, wait, wait. Yes. That, that, that. Hammer time?

20:02This is a year and a half after the events of the Matrix. Could be. Well, oh. Of course it could be. Neo's hair doesn't grow. Yeah. He's just like bald in the real world. There's like a month. What does the bald have to do if we're going to see him in the Matrix? The bald has to tell us. This indicates time. We're just saying that whatever happened when the movie probably was within a month. Yes. Because Neo's hair didn't grow at all. This is like a year and a half. And there's no way Neo would have been like, I like this look. You're right. You're right. I mean, there's a possibility. I'm saying most likely not. Okay. So. Yeah. Two years later, we have Neo. He's still around doing cool stuff. And he decides to give the Matrix a call. Yeah. I love that. Just call the Matrix.

20:43Mm-hmm. I just, I wonder what number he dials, you know? Morpheus. Because what's the Matrix called? What's the number they call Matrix? I don't think he's actually calling the Matrix. He's just calling someone. Well, like here's a good opportunity to make an Animatrix show seeing how Neo and Trinity and Morpheus do stuff in between Reloaded and this. And you could make a good, you know, everybody's optimistic and they're being cool and, you know, they're being like Robin Hood. Yeah. I mean, you could, you could do that. No one stopped. So anyway, yeah, you're right. You're absolutely right when, when you're saying that the movie doesn't take place within two years because of his hair. And because obviously this could easily be at any point in time, as long as it's two

21:24years later after Cypher and Trinity talking. Then it says warning carrier anomaly. Mm. What does that mean? I think that's how they trace this stuff. This is like every call is monitored. And if, if a call ends up wonky, you know, like you're talking about the Matrix or something like that, they're like, oh, this is wrong. And they start tracing it. And then we have the final message, which is trace program running. Yep. And then the trace starts. It triggered the trace program. Back with the codes that we saw at the beginning of the movie with Trinity talking to Cypher. Phil, could you please read us Neo's speech so we can refresh our minds?

22:07I'll do it. Yeah. We can, we can dissect what he's saying. So, so, so Jacob can zone out and two words into this. Exactly. I know you're out there. I can feel you now. I know that you're afraid. You're afraid of us. You're afraid of change. So what does this mean? I know you're out there. The machines? The Matrix, right? I thought he was talking to the Matrix. The Smith? Are you hiding? No, he's talking to the other two agents. I don't know. Is he just, is he just calling, is he just calling Trinity? He's like, I can feel you now. Trinity, you're afraid of me.

22:47My power's up to a strong. It took a year and a half to call you. Then we're in the same ship, but oh well. They chatted on the, on the, in the communal text chat. Yeah. Yeah. Okay. So he's like, I can feel you now. So it feels like he has gotten powers that the, the Z warriors in Dragon Ball Z get when they're like, we don't need scouters anymore. We can sense it ourselves. We can sense power levels ourselves. We don't need, we don't need this. So Neo has the same thing. Knees are tingling. He can feel the Matrix pulsing through his body. Yeah. I mean, probably. Right. What else do you, what would you say? Yeah. I guess maybe it's a threat. It's just like, I can feel you. Could be that too.

23:28I don't know. And then he goes, I know that you're afraid. Who could be afraid? The Matrix, the machine mainframe. Are they afraid now? They're afraid of change? He's turning into Morpheus. God. He's talking about order, systems, control. System. But he's saying, yeah, he's saying that they're afraid of things being out of their control. And he goes, I don't know the future. I didn't come here to tell you how this is going to end. I came here to tell you how it's going to begin. That's such a cliche. Go on. But my dad really liked that. Really? I'm going to hang up this phone.

24:09And I'm going to show these people what you don't want them to see. You're going to hear two clicks, bucko. One will be me hanging up this phone. And the other one will be me pulling the trigger. Keep going. Keep going. I'm going to show them a world without you. And that's where our scene ends. So we can continue this in the last episode. And then we can talk about the differences in the script with this as well. Because there's a difference. Mm-hmm. That sounds delicious. How are we afraid of change? I like a lecture. Phil is a lecture. So. How are you afraid of change? Yeah. And it's always not very well recorded. So it's like.

24:49Johnny. Johnny. How are you afraid of change? I did a lecture on iTunes. You look like a scared person. So how are we afraid of change? Well. Neo decides. To talk to the machine. And then you also turn from the mic like super far. Like. Yeah. And then. And then. Yeah. With that. He decides to. Look into. As you're changing the slides. Yeah. Yeah. And then. And then. And then a student like. Raises their hands. Oh. The slides are on. Oh. The slides are on. Okay. Got you there. And that's well recorded. About the slides. Yeah. Yeah. Slides are on. Okay. Okay. Let me just fix this. And then. And then. PowerPoint presentation mode. And you can see all the slides. And it's ruined. Now. He's fiddling about. And he's like. Ah. I can't do this. And if it's a lapel mic. Live again. Starts again from the beginning.

25:30The make. Okay. So. What we have is. Neo saying. He's afraid. And it stays like that for an hour. I am afraid. Yeah. And then it fixes itself the last two minutes. Thank you. That'll be all. Perfect. And you can download these on iTunes. Yeah. Yeah. It's like. It's like one camera shot. Just like a. I've listened to a lot of. You know what I'm talking about right guys. I've listened to a lot of lectures that are like this. Yeah. I know. I know. Yeah. It's lovely. I love it. He's always a stupid lapel mic. And there's. There's always a joke that you can't hear. Because it's too. You know. It's too quiet. Or muffled. You know my favorite is. With iTunes lectures.

26:10iTunes. Like lecture. Lectures. iTunes. No. No. Lecture. How to use iTunes. The new lecture podcast is this. 150 volume. No. No. When students ask questions. The teacher doesn't repeat the question. I hate that. So it's like. You can't hear. Just like here. And you hear. That's a good question. Do you hear this? That's the tape or whatever. Can you do it? Okay. Okay. Yes. Question. Wait. Why is there a ghost there now? No. No. Question. Question. Oh yeah. Yes. Question. That's a good question. You know. I never thought of it like that as well. But now you give yourself some really good points. Because that's going to be out there in the next lecture.

26:52Oh. When she said. I'm not afraid anymore. Do you think that this might connotate between the way that we always talked about. The way that. Cypher said that in the next. But that's not the way it's. Yeah. And you can hear the guy next to the camera. Wait. And then my favorite is when. Some of them are like. Wait. Wait. The premature ending of the recording. It's like. Yeah. And we're back. Oh. Okay. That's enough of the lectures. Enough of that. Okay. Yeah. As long as it doesn't do. Hopa hopa. We're good. No one knows our inside jokes.

27:33Anyway. I mean. If they bought the box set. We have some bonus stuff. Yeah. We explain every single inside joke. We always have a catalog. Every single one. It's an encyclopedia. All right. So. What can you say about Wednesday? What can you say about next time? Next time is. Oh my goodness guys. It's the last time. That's it. Next time is the last time. Wow. Look man. We'll go through the script. We'll go. I'll. I'll do some. I'll bring beers. I'll bring beers. We'll go outside. Champagne. Bottles popping. Yeah. Um. We'll. We'll go through that. And. We'll talk about Rage Against the Machine. That's true. We'll talk about. We need help our Rage Against the Machine. Some people in the credits. That I'll. Pick. And. Get some. Information. You'll pick on. Yeah. Hey.

28:14And we can talk about the very last thing at the end of the credits. That's true. Yes. So guys. I mean. This is going to be it. Friday. Well we're still. Yeah. We're almost there. That is crazy. That is. You know. Nonsense. Insane. What is the minute? The last one? 128. 128. The magical number. And that's it. We hope to see you there. We hope to see you on Friday. Yeah. If you have any last words. That you want us. Want to hear us. You know. Answer. On this podcast. Get your voice. Get your name out there. Did you realize that this is the last time I'll ever say. See you on Friday. No. Not really. Because we got Matrix reloaded.

28:55And stuff. Well maybe he won't say it. It's a different format. Who knows what will happen. Yeah. Well. Who knows what will happen. There's no. Welcome to the Matrix Minute. There's. Or is there? Tomorrow. Like on Friday is going to be the last time I'm going to say. The Matrix Minute. Yeah. Wow. So. Yeah. People. If you. If you know. If you got some questions. Got anything you want to say to us. Yeah. Before we finish. We can read out loud. Or answer. And I will do that novel. Because I already wrote it. I just have to put it together. The novel descriptions. Yeah. What am I saying? We're probably going to record it before this airs. So yeah. It's too late. I hope you wrote something to us. Yeah. I hope you did. Thanks everyone. And we'll see you on Friday. Thanks.

29:44But Phil. Do you have the information on the dates? Please tell us. How much time has elapsed. Since. One day. First call. Just a second guys. That's the end. I got some more beats. Okay. Give me. Dude. do

30:27do the solo at the end all right cool i got it you gotta splice these songs they're good songs okay god i got it okay okay all right